Saturday, July 18, 2009
Coming Soon: Balibo
The trailer for the film came out a couple weeks ago, and I have to say it looks great. Too many Australian films look like they were made for bugger all, and even the "expensive ones" still look like they cost less than $5 million. This one looks like some money has been spent, and my high hopes remain.
It won't be a fun film - I don't see much hope for a happy ending. But if it is done well, this could be really worth seeing.
Friday, July 17, 2009
A Song a Year: 1991, That Ain't Bad
So, much as it is a song that reverberates in my mind when I think back to my largely not misspent-enough youthy days at university, it isn't a song of the year for me. Nope, in 1991 there were other much more resonant songs for me.
Another song that came out in November of that year, U2's "The Fly" had a pretty big impact - massive U2 fan that I am. But that wasn't it. Neither was Julee Cruise's "Falling" from Twin Peaks, even though for at least the first 6 months of 1991 that was the show to be known to be watching (ok, bugger all of it made sense, but you just had to watch it because it was bizarre, sexy, fun and well because if you didn't the other kids might not think you were cool).
But no, for me the song that year was one that didn't even get released as a single - it came out on an EP, "Tingles", an EP that sold out in Adelaide by the time it got to Number 1 - a good 3 months after I bought it. The song was "That Ain't Bad" and the band was Ratcat.
Looking back, some 18 years on (oh geez, that is a long time ago) it is easy to forget that Ratcat were a Triple J band. They were a full-on indie band that triumphed over the crap being played on commercial FM radio. Just how bad was music back then? Take a gander at the top 25 songs that year on the ARIA charts:
1. (EVERYTHING I DO) I DO IT FOR YOU - BRYAN ADAMS
2. TINGLES (EP) - RATCAT
3. GREASE MEGAMIX - OLIVIA NEWTON-JOHN & JOHN TRAVOLTA
4. THE HORSES - DARYL BRAITHWAITE
5. YOU COULD BE MINE - GUNS N' ROSES
6. READ MY LIPS - MELISSA
7. MORE THAN WORDS - EXTREME
8. I'VE BEEN THINKING ABOUT YOU - LONDONBEAT
9. JOYRIDE - ROXETTE
10. THE SHOOP SHOOP SONG (IT'S IN HIS KISS) - CHER
11. DO THE BARTMAN - THE SIMPSONS
12. UNFORGETTABLE - NATALIE COLE WITH NAT "KING" COLE
13. I'M TOO SEXY - R.S.F. (RIGHT SAID FRED)
14. LOVE... THY WILL BE DONE - MARTIKA
15. I TOUCH MYSELF - DIVINYLS
16. RUSH - BIG AUDIO DYNAMITE II
17. FANTASY - BLACK BOX
18. RHYTHM OF MY HEART - ROD STEWART
19. RUSH RUSH - PAULA ABDUL
20. BETTER - SCREAMING JETS
21. I WANNA SEX YOU UP - COLOR ME BADD
22. ICE ICE BABY - VANILLA ICE
23. SADNESS PART 1 - ENIGMA
24. HERE I AM (COME AND TAKE ME) - UB40
25. 3AM ETERNAL - THE KLF
I mean, let's be honest, there's a fair few tracks there that would make it onto anyone's list of "Songs I'd be forced to listen to in Hell" CD. That I am here now humming "Read my lips and take dictation... if you want to wait till later/ hands of my detonator" is beside the point.
As an aside seeing "Rush", makes me think of how cool I felt when I first heard Big Audio Dynamite's other hit that year, "The Globe" and I mocked it for sampling "Should I Stay or Should I Go" by The Clash. I felt less cool when someone pointed out to me that the lead singer and guitarist of Big Audio Dynamite was Mick Jones who was also the lead singer and guitarist of The Clash. Oh well, it was nice few minutes of cred that I had.
I first heard part of "That Ain't Bad" on the bus back from Flinders University (the glorious 222 - Flinders Uni to Gepps Cross). For a good week or so I kept hearing parts of it on my walkman on the bus. It seemed to always be the song that Triple J was playing just as I turned on my walkman, or would be the song that they would play at the precise moment I would decide to listen to another station.

I only heard them name the band once, and couldn't remember if it was Ratcat or Catrat or Ratcatcher or something along those lines - either way I thought it was a totally cool name, and very quickly they were becoming my band.
You see there's something rather thrilling about being at uni and coming across a band that no one else really knows. It's why the indie rock scene is so beloved by uni students, and why they hate it when "their band" becomes popular. When you are young and trying desperately to be unique in this world, you are desperate to find something that is your own little secret; something that even if you mention to others, you will only be greeted with a blank look (so you can roll your eyes and ponder how anyone could be so behind the times). And thus you listen to Triple J, because they'll play music that Triple M or Nova will never so much as spit on.
The only problem is that by and large, a good 70-80 percent of what gets played on Triple J is total crap (was then, is now, will be in 20 years time - that's ok that's the whole point, you don't want people listening, in case they hear your music and it becomes popular). And so when you find something in that sea of unlistenable music, you cling to it as tight as you can. And so it was with me and Ratcat.
The song "That Ain't Bad" was a kind of grungy number that anticipated the sound somewhat of "The Fly" It had a great running guitar lick that was made for some excellent air-guitar moves, and an incessant drum beat that just got your head rocking back and forth. The lyrics were easy; the chorus, simple (wasn't hard to remember "you...ew..ew..eww... I love you"). It was just a great bit of pop, that because it was only being played on Triple J, was ok to listen to around uni halls - and at my boarding college a good number of times I had it blaring out of my room window across the lawns to us sitting around benches chillin' - because of course I was the only one who owned the actual tape.
And yet it didn't last. Simon Day, the lead singer was far too pretty, and the band itself didn't know whether it was a grungy indie band or the next INXS. It actually supported INXS on its Australian tour in 1991, and well the young girls then just went mad for them. They brought out their first album - Blind Love, with the very poppy single "Don't Go Now". They went Number 1, they were played on Triple M and SAFM. And well that was it really.
No more were they to be heard on Triple J, and while I did buy Blind Love, no longer did I cling to them tightly, no longer did their songs blare out from my dorm room window. Was it because they sold out? Perhaps. Was it because they were now posters on the walls of teenage girls? Maybe. Was it because they never actually wrote another decent song? Who can say.
But for a few bright early months of 1991, Ratcat were cool, and so was I for liking them before everyone else. And "That Ain't Bad" still rocks even though the unis now have students who weren't even born when it was making the charts.
And just to remind you of how bad things were musically, here's Melissa Tkautz singing "Read My Lips". Good luck getting through it all.
Tuesday, July 14, 2009
Newspoll: ALP 55 - LNP 45 (or My Money is on Mr Uncommitted)

Kevin Rudd has arrived back in Australia minus a road map on how to extricate Stern Hu or his own government from the messy unravelling of the relationship with Australia's most important trading partner. Beijing is clearly less interested in solving the problem or even limiting the fallout than it is in making a very brutal point.
Now I don't think these events occur in isolation. I don't think this is just one event. I think this may well have been a build-up of concerns on the part of China about the way the Australian Government has been treating China.
It's interesting that he can raise the human rights of the Tibetans but not the human rights of an Australian citizen.
The upshot? The crew were returned only after America was forced to issue a note of apology, stating:
"Although the full picture of what transpired is still unclear, according to our information, our severely crippled aircraft made an emergency landing after following international emergency procedures. We are very sorry the entering of China's airspace and the landing did not have verbal clearance."
And the plane itself? It was thoroughly gone through by the Chinese, and shipped back to America in crates in a Russian cargo plane.
That's how China dealt with a major international incident involving military personal and a secret aircraft from the biggest superpower in the world. You think Rudd coming out and say he has rang up President Hu Jintao and demanded Hu be returned is going to work?
Look the Govenrment does need to be involved, but the opposition needs to also shut up and let diplomacy have a chance. The big words need to be said behind closed doors, not in the media.
Monday, July 13, 2009
Flick of the Week: "Death's at the bottom of everything, Martins. Leave death to the professionals."
The Third Man, directed by Englishman Carol Reed, (yes, Carol is a man) is a stunning film. Made in 1949, from a screenplay by novelist Graham Greene, it is the greatest example of European film-noir (admittedly there's not a huge field to beat). It is also technically a film-adaptation because Greene wrote the story as a novella first so that he could then adapt a screenplay - as a novelist he felt he couldn't go straight to the screenplay.
The film stars Joseph Cotton as Holly Martins, a writer of cheap western novellas, who comes to Vienna just after the end of WWII to work for his old friend Harry Lime (Orson Welles). He arrives just in time to see Lime's funeral, and to also find out that Lime was wanted by the police for selling diluted penicillin to the local hospitals. Martins starts to have doubts about the story of Lime's death and begins investigating while the English Major Calloway (Trevor Howard) follows him closely.

The mood of the film perfectly captures the ruined city of Vienna after the war - there is no beauty here, just buildings that seem like shells, and characters walking past rubble rather than cathedrals. But as brilliant as the photography is (it won an Academy Award for cinematography Robert Krasker), the real maker of the mood is Anton Karas' zither music. It may perhaps be a bit overused throughout, but it has the effect of immediately creating the European feel, as opposed to the standard jazz type score of American film-noir.
The pace of the film also adds to the mood - modern viewers may find it too dawdling, but it is a slow burn - the tension builds right the way through until the final great climax in the Vienna sewers.
The acting by Cotton is prefect - he plays the non-descript guy to spot-on effect. He is the hero of the film, but he is hardly a heroic type - he drinks, seems more happy with the plots of his cheap novellas than with reality, and doesn't look like he would ever get the girl. Against him is Welles, who in perhaps the smallest supporting role in film, absolutely steals the film. How he didn't get the Oscar for this is beyond me. OK, George Sanders was good in All About Eve, but come on!
The classic scene is of course that of Lime and Martins on the ferris wheel, with Lime's cuckoo-clock speech. Below is it in its entirety (excuse the Spanish subtitles).
The film was named as the best British film of all time by the British Film Institute, and oddly, came 57th in the American Film Institute's all time poll of American films. The AFI also gave it 5th place in "mystery films" - only behind, Vertigo, Chinatown, Rear Window and Laura.
It's a classic.
Previous Flicks of the Week:
Sunday, July 12, 2009
Roger Federer - a quick note
While I was away on holidays Roger Federer won Wimbledon. Normally I would do a post on the match and etc etc. Since it is now a week ago, I won't bother, but I'll just make this one note.This September, Federer will be going for 6 US Open wins which will put him 1 ahead of Connors and Sampras (except he is the only one to win the 5 consecutively). If he does that he will have won both Wimbleon and the US Open more times than anyone else. Amazing.
AFL Power List Round 15: (Or it’s starting to get very interesting)
After 15 rounds, in the past, every side would have played every other side. That is not the case anymore – Brisbane for example hasn’t played Fremantle, but has played Geelong twice (yeah, that sounds fair).
Collingwood with games against Richmond, Sydney, Hawks and Carlton coming up, should win at least 2 of those to get the 12 wins and percentage that’ll get them home.
The Bulldogs have the easy Freo and West Coast to get them to 12.
Brisbane have Freo, Port, Kangaroos and Sydney to get 3 wins to get to 12, or the tougher tasks of Collingwood, Essendon and Bulldogs.
Adelaide have Port, Hawks, West Coast and Carlton – 2 of those gets them to 12, but they also have the Saints, Geelong and Collingwood.
Essendon need 5 wins. They have the easy Richmond. They also play West Coast and Freo, but both are at Subiaco. The other 4 games are Bulldogs, Brisbane, Saints and Hawks.
Carlton play Sydney, Kangaroos, Port and Melbourne. They may need to win all 4, because the other three are Collingwood, Geelong and Adelaide.
Hawthorn need 5 wins to get to 12. They only have one easy game – Richmond. The rest are Collingwood, Geelong, Port (AAMI), Saints, Adelaide and Essendon. They’ll need to win 4 of those, and boost their percentage. Can’t see it.
Port also need 5 wins. They play West Coast, Freo and North. If they get those 3 they’ll still need 2 from Adelaide, Hawks, Carlton and Brisbane.
Friday, July 3, 2009
Taking a break
One of the good things about no Parliament sitting is I don't feel such a need to post everyday, and it also let's me do a lot more "culture" blogs. But I also need a bit of a break - this year I've been averaging a post every 1 1/3 days - or more than 5 posts a week, which is a lot for something that is just a hobby.
While I'm away I'll be losing sleep watching the Tour de France and the Ashes.
I'll be back around the 15th -which will actually be the first anniversary of Grog's Gamut.